A year late a stage was built in the center of the town for of town for the famous match to be held. This method was common in those days for challenge matches between practitioners of various Kung Fu arts. Little is known about the actual fight but the results of the fight became known far and wide. Later through Yim Wig Chun and her future husband’s, the style of his wife became famous and many variations of the art spread to Southern China.
There are many versions of this story. These days various independent researchers cannot really find evidence of this story nor can they find any alternate story which more credibility. In various periods of history, each dynasty would make up their own historical stories to make their dynasty look good and the other dynasties look bad.
Master Wang Kiu himself went to China many times to research the origins of Wing Chun. He concluded that there was no real traceable history of Wing Chun that could extend back to the Shaolin days. He said that a Man by the name of Lee Man and Ip Man developed the Yim Wing Chun story for marketing purposes to connect the art to a famous legendary figure from Chinese novels called Ng Mui.
This story and it’s variants still float around, not because it is really true, that’s why it is called a legend, but because it immediately give a Wing Chun practitioner and the teacher an idea about what Wing Chun must be like.
Since a female usually cannot compete against male strength (modern Olympic women being an exception to this) then it could guide teachers and students of the art on what would be the criteria of correct Wing Chun. If a Wing Chun student’s Wing Chun uses a force against force and massive muscles for it to work, then this is not Wing Chun. In the end, Wing Chun is a close range art based on economy of motion and the attributes of good positioning, sensitivity, timing, speed and short range power to deal with the opponent’s superior size and strength.